By Typodermic Fonts Inc. Single styles from $9.95 (5 Free) Purchase Family. Coolvetica is a sans serif font family. This typeface has thirty-five styles and was published by Typodermic Fonts Inc. Brayden Family is a family of script fonts that, taken together, create a variety of choices for an artist or designer. This font family is one of the newer AF Studio offerings. Features include the use of contextual and stylistic alternates, contextual swashes, and ligatures. The glyph panel provides access to an even greater number of. Coolvetica is a scratch built, sans serif font, based on an American chain store logos circa 1970. This was an era where everyone was modifying Helvetica.
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Memoriam was designed by Patrick Griffin and published by Canada Type. Memoriam contains 4 styles and family package options.
The tradition at the New York Times magazine has been to dedicate the year’s last issue to the people who passed away during the year, especially those whose lives have affected us. Art director Nancy Harris Rouemy, whose typographic design sense has earned her many prestigious awards over the years, decided on an all-type magazine cover for the 2008 issue, and commissioned Canada Type to do a new typeface especially for that project. Now Memoriam is finally here in retail form-not least because hundreds of people have asked for it.
Though a few other Canada Type faces were used in the magazine with great results over the preceding months (mainly Ambassador Script and Sympathique), Nancy thought a some of the ideas in Jezebel’s uppercase and Treasury’s lowercase would be a good fit onto an all-type commemorative cover, but with a much higher contrast and the infusion of a more luxurious and elegant brand of poster calligraphy that doesn’t date itself. After a few different attempts, the first shapes were born, and six weeks later there were enough forms to do the cover. The typeface was such a success with the editors and designers, it was used all over the magazine, instead of just the cover.
The list of people being commemorated with this font was certainly enough to convince us to take on such a demanding project. Patrick Griffin grew up with a culture where names like George Carlin, Michael Crichton, Bobby Fisher, Charlton Heston, and Paul Newman, were daily household language, and this was a great opportunity to offer a final tribute to them. Also the pleasure of working with Nancy Harris Rouemy, the lady with the X-ray eyes, with her unwavering vision and constant attention to typographic detail, went a long way to shaping this typeface and making it the modern and contemporary piece of elegance it became.
The Memoriam typeface contains a lot of alternates for most characters, so it was divided into three separate fonts for the Postscript and True Type formats. The OpenType version, Memoriam Pro, combines all three fonts in one OT-programmed file, and even contains a few more extras that are not in the legacy format sets-so if you use InDesign CS+, Illustrator CS+ or QuarkXpress 7+, Memoriam Pro is the one you want.
Memoriam was designed by Patrick Griffin and published by Canada Type. Memoriam contains 4 styles and family package options.
The tradition at the New York Times magazine has been to dedicate the year’s last issue to the people who passed away during the year, especially those whose lives have affected us. Art director Nancy Harris Rouemy, whose typographic design sense has earned her many prestigious awards over the years, decided on an all-type magazine cover for the 2008 issue, and commissioned Canada Type to do a new typeface especially for that project. Now Memoriam is finally here in retail form-not least because hundreds of people have asked for it.
Though a few other Canada Type faces were used in the magazine with great results over the preceding months (mainly Ambassador Script and Sympathique), Nancy thought a some of the ideas in Jezebel’s uppercase and Treasury’s lowercase would be a good fit onto an all-type commemorative cover, but with a much higher contrast and the infusion of a more luxurious and elegant brand of poster calligraphy that doesn’t date itself. After a few different attempts, the first shapes were born, and six weeks later there were enough forms to do the cover. The typeface was such a success with the editors and designers, it was used all over the magazine, instead of just the cover.
The list of people being commemorated with this font was certainly enough to convince us to take on such a demanding project. Patrick Griffin grew up with a culture where names like George Carlin, Michael Crichton, Bobby Fisher, Charlton Heston, and Paul Newman, were daily household language, and this was a great opportunity to offer a final tribute to them. Also the pleasure of working with Nancy Harris Rouemy, the lady with the X-ray eyes, with her unwavering vision and constant attention to typographic detail, went a long way to shaping this typeface and making it the modern and contemporary piece of elegance it became.
The Memoriam typeface contains a lot of alternates for most characters, so it was divided into three separate fonts for the Postscript and True Type formats. The OpenType version, Memoriam Pro, combines all three fonts in one OT-programmed file, and even contains a few more extras that are not in the legacy format sets-so if you use InDesign CS+, Illustrator CS+ or QuarkXpress 7+, Memoriam Pro is the one you want.
This family covers an extensive range of Latin-based languages, including Western and Eastern European, Baltic, Turkish, Maltese, Celtic/Welsh, to make for over 365 characters in each of the Memoriam fonts.
Due to the extreme thinness of the hairlines, it is recommended to use Memoriam at large display sizes only.
Coolvetica Rg Regular
I'd ask for a download of Helvetica, but of course, there would be no help, and the usual 'you can't get commercial fonts for free / personal use' replies (though you can, it's not difficult for certain fonts, and very difficult for others; as a student who can't afford fonts, and music, really, I have copies, don't reprimand me, I love typography and editing, but I can't pay hundreds for a font family, okay? I know I am 'stealing' money from the hands of font developers, but if I can't afford it, how can I give them money for their fonts in the first place? ).
So, in conclusion, I'd like to know some good, free, alternatives to Helvetica BESIDES Arial & Coolvetica.
~Thanks!
